Yes, God, Yes

A sheltered Catholic teenager, Alice, discovers her own burgeoning sexuality and repressed desires after a racy AOL Instant Messenger conversation. As she grapples with feelings of guilt and shame, Alice embarks on a journey of self-discovery, seeking answers and absolution from her faith and peers.

Yes, God, Yes was generally well-received by critics, with praise directed at its witty writing, Natalia Dyer's performance, and its nuanced exploration of adolescent sexuality and religious repression.

• Praised for its honest and humorous portrayal of a young woman's sexual awakening.

• Natalia Dyer's performance as Alice was widely lauded for its sensitivity and comedic timing.

• The film effectively balances its exploration of religious guilt with a celebration of self-discovery.

Google audience: Audiences appreciated the film's relatable and funny take on a young woman navigating her desires and religious upbringing. Many found it empowering and commendably brave in its subject matter.

Nominated for the Grand Jury Prize at the Sundance Film Festival.

Director Karen Maine drew inspiration from her own experiences growing up in a conservative religious household for the film's themes.