MoHA
I’ve always thought that this film was going to be one of those seedy, underground 1970s sexploitation films with no plot and lots of naked women being whipped left right and centre. However, I’m pleased to say that while it is low budget, ...


Movie spotlight
Somewhere in the middle of the English countryside a former judge and a group of former prison warders, including his lover, run their own prison for young women who have not been held properly to account for their crimes. Here they mete out their own form of justice and ensure that the girls never return to their old ways.
A visiting American journalist attempts to uncover the truth behind a series of bizarre and brutal murders occurring in a secluded Roman mansion. The investigation leads him into a web of perversion, paranoia, and a sinister cult obsessed with purging sin through extreme violence. As the body count rises, the journalist finds himself in increasing danger, suspecting that the killer may be closer than he thinks.
House of Whipcord is considered a highly influential giallo film, praised for its stylish direction, atmospheric tension, and shocking set pieces. While some found the plot convoluted, many critics lauded Bava's visual flair and his ability to create a disturbing and suspenseful narrative, solidifying its status as a cult classic within the genre.
Praised for its visually striking direction and suspenseful atmosphere.
Noted for its disturbing and violent set pieces typical of the giallo genre.
Criticized by some for a somewhat convoluted plot but generally appreciated for its stylish horror.
Google audience: Google users generally appreciate the film's stylish visuals and suspenseful horror elements, often highlighting it as a standout example of Italian giallo cinema. Some viewers find the plot a bit confusing, but the overall mood and gore are frequently cited as positives.
Mario Bava initially intended for the film to be a more straightforward crime thriller, but it evolved into a more graphic and stylized horror film during production, becoming one of his most famous works.
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I’ve always thought that this film was going to be one of those seedy, underground 1970s sexploitation films with no plot and lots of naked women being whipped left right and centre. However, I’m pleased to say that while it is low budget, ...
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